[Watch] AlunaGeorge - "Attracting Flies" (Official Video)

AlunaGeorge's hot new single "Attracting Flies" features the line "Little grey fairytales/little white lies", and they interpret that literally in the accompanying visuals. Directed by Emil Nava, the video takes influence from Little Red Riding Hood, The Sword in the Stone, The Princess and The Pea, and other fairy tales, bringing these familiar characters into a darker modern context. Check out the gritty fantastical clip above.

The duo are currently working on their debut album titled Body Music, which is set to drop on July 1st.

[Watch] Dave Grohl, Josh Homme and Trent Reznor live in the studio playing "Mantra"

As I'm sure you're aware by now, Dave Grohl's soundtrack to his movie about Los Angeles recording studio Sound City, is soon to be released. Next week in fact on March 12th via Dave's very own label, Roswell Records. On Sound City: Real to Reel there is many a collaboration to get you hot under the collar. Check out the full tracklisting on iTunes here. For me though anything with Dave on drums and Josh Homme on guitar of some sort is going to make me lose it a little bit. Add into that mix the ridiculously talented Trent Reznor and you've got a recipe for a panic attack. Seriously.

Ahead of the release of the soundtrack next week, RollingStone has released some in studio footage of the trio recording the track titled "Mantra". It's sure to relax you on a stressful Friday afternoon as well as induce a fever of awesome. Check it out above.

[Listen] She & Him - "Never Wanted Your Love"

It seems like it's been a while since we've had anything new from M. Ward and Zooey Deschanel of She & Him but that's all about to change as they're preparing to release third studio album, Volume 3, on the 7th of May via Merge. It's a catchy little number that makes me want to throw my hands in the air and swing them side to side then when you dig a little bit deeper and the lyrics soak in, well, let's home you're not all depressed after listening. I can't help but swoon when I hear Zooey's gentle vocals over the speakers though however somber the subject matter. See if she has the same effect on you by hitting play below.

[Album Review] Rhye - 'Woman'

Little more than a year ago, we were introduced to the enigmatic Rhye. With no knowledge of who was behind the veil, all we could do was listen in sheer curiosity to their ethereal lone track “Open”. The inception of the song draws you in to a beautifully rendered soundscape, as delicate violin strings and calming horns give way to tranquil simplicities. It revels in its finesse, its minimalist approach, finding evocation in its most subtle nuances. The fluid vocals drift along with distant yearning, imbuing a sense of desire and restraint upon the listener. It’s sexy yet despondent, never forceful but always suggestive of its emotions. Now, a year gone by, the veil has been cast aside, yet Rhye retains its mystery. Their debut album Woman embodies an expressive restraint, knowing what it wants to emote and how. The mystery of Rhye remains not by means of the physical presence behind it, but through the music itself.

Rhye is Los Angeles-based duo Robin Hannibal and Mike Milosh. With their identities no longer a point of contention and curiosity, the focus shifts instead towards the lush, soulful sounds comprising Woman. What Hannibal and Milosh have accomplished together is unadulterated pleasure, with the two melding their talents in perfect harmony.

As we move from “Open” to “The Fall”, the harmony of these two artists becomes ever more apparent. Haunting piano keys glide throughout as soft percussion compounds with a simple bassline. Violins pluck and crescendo. Horns slip in and out, increasing the emotional intensity in concert. It all provides an ideal foundation on which Milosh compounds his breathtaking vocals. He carries his voice so deftly, allowing the instrumentation to accentuate it and vice versa. It is so easy to get lost in his sultry, heavenly tones.

It is the relationship between vocals and instrumentation that pushes Woman beyond a mere one-off album, something you listen to a few times then put aside. Separate the two and they might be deemed good or great standalone representations of talent, but together Hannibal and Milosh compel one another, achieving perfection through unison. “Verse”, for example, finds Milosh setting a pace for the song to move forward, but his vocals never overpower Hannibal’s minimalist production. As a result, we are left with angelic melodies that climb and descend as appropriately simplistic or complex instrumentation swells around it—steel drums are always a plus, and the subtle manner with which they are employed here is excellent. Similarly, “Major Minor Love” finds deep emotion and strength in this relationship, with the first minute being a simple connection between Milosh’s vocal chords and the deep plucking of a bass guitar.

“One Of Those Summer Days” is perhaps the most somber engagement throughout Woman’s 35-minute run, finding compelling affection through the joining of an echoing acoustic guitar, a saxophone, and Milosh’s voice. The emotions exposed never feel forced, rather they seep through the lyrics and the slow delivery. At four-and-a-half minutes the song drifts along almost aimlessly, not caring about its destination. It seems intentionally aware of an end goal, but pushes it aside in favor of the dream-like journey.

There are, however, moments where Woman veers away from its beautiful, airy simplicity, experimenting in upbeat instrumentation yet never escaping the transience of love. “Last Dance” takes things in a funky direction, brazenly opening with the groove-laden combination of synthesizers and bass. The inescapable affects of love—never far away—permeate through Milosh, whose voice evokes such powerful feelings of pain and longing. By the end of the song, the funk is nearly gone, leaving his voice to tremble under its own weight. Another experiment in optimism is “3 Days”, which, unlike any other song on this album, comes across as contradictory. Its beautiful harp plucks are simply captivating, its underlying combination of bouncy synthesizers and resonating piano chords is wonderful, but the instrumentation is never evocative of the bleak lyrics. While this is a small gripe, it exists as such because of the seeming importance of lyrical and instrumental cohesion displayed throughout the rest of the album. That being said, the song is immensely charming, and it is rare that a moment of calm is met with such delicate energy as it rises once more.

Love is an emotion so deeply ingrained in music. Throughout Woman, Rhye masterfully grasp this emotion, using it to their advantage rather than letting it consume them. Hannibal crafts beautiful soundscapes to match the evocation in Milosh’s voice, and the two work in wondrous tandem. Instruments meld beautifully around the lyrics, and the relationship is such that one never overpowers the other, yet they inflect in a way that as each song shifts and progresses it feels wholly natural. No longer are Rhye an enigmatic entity, yet their music embraces the enigmatic nature of love. Love is something that everyone deals with in their lifetime, and foregrounded in Woman is the beauty and pain embedded within it.

Words by Adrian McCavour, originally published on LYFSTYL Music Blog.

SCORE: 4.5

[Listen] Stream Two New James Blake Cuts, "Voyeur (Dub)" and "Digital Lion"

The past twenty-four hours have seen not one but two new James Blake tracks surface, and if that's not enough to get you excited than I don't know that is. The first is "Voyeur (Dub)", which premiered on BBC Radio 1. While technically a "dub version" of the Overgrown song "Voyeur", it's enough to get a sense of what the album version will sound like. The second comes in the form of "Digital Lion", the song that features contributions from none other than Brian Eno. Trust me when I say that both of these tracks are superb. 

Overgrown, Blake's sophomore album, is set to release on April 8th.

[Watch] Beach House - "Wishes" (Official Video)

Beach House have gone quite far outside the box with their video for "Wishes", employing Ray Wise of Twin Peaks fame as the star and Eric Wareheim of Tim and Eric as the director. Wise provides the soundtrack to a sporting event that cannot be described without words like "ridiculous" and "baffling", but needless to say it culminates in him riding a white stallion. It's confusing as hell, yet absolutely amazing. Pressing play is all that needs to be done.

[Watch] Phoenix - "Entertainment" (Offficial Video)

Phoenix return after several weeks with a new video for their Bankrupt! single "Entertainment", matching the anthemic cut with some fairly random visuals. Pushing its focus towards Korean culture, the video includes an effeminite K-pop singer, an ancient warrior with bow skills, fireworks, an awesome street fight, and much more. It's random, but it's enjoyable. Check out the Patrick Daughters-directed clip above.

[Listen] Stream Baths' New Single "Miasma Sky"

Baths, the moniker of Los Angeles beatmaker Will Wiesenfeld, returns after three years with a new album and a somber single in tow. His sophomore effort, titled Obsidian, differs greatly from his 2010 debut Cerulean, with the new work reaching into somber, brooding corners as opposed to the bright sounds found on his first album. Wiesenfeld describes the album as "a hard, dark, glasslike volcanic rock formed by the rapid solidification of lava", continuing by saying:

Anything I found that felt like a unique vision of darker emotions or atmospheres, I tried to absorb. Being a positive and outgoing guy made it that much more difficult getting into that mindset. It was a matter of tapping into that and returning with songs that felt genuine and somehow from my own personal experience."

Our first taste of the new LP is the lead single "Miasma Sky", an introspective, cloudy cut that perfectly exemplifies Baths' darker direction. Stream it below.

Obsidian is out on May 28th via Anticon.