Posts tagged Totally Enormous Extinct Dinosaurs
[SONG OF THE DAY] SG Lewis - "Again (feat. Totally Enormous Extinct Dinosaurs)"
CM_SG LEWIS ALT SLCTS19.jpg

Today in Everything SG Lewis Makes Is So Perfect It’s Almost Unfair we have his latest single, “Again”, which is a collaboration with the ever loved Totally Enormous Extinct Dinosaurs. The track follows “A.A.T” which featured Drew Love of THEY fame and is part of the second phase of his upcoming three-part concept album DuskDarkDawn, which chronicles the trajectory of a night out through its different moods and genres and serves as a tribute to club and youth culture.

Earlier this year he released Dusk, which was a blend of glimmering disco and electro pop. As you’ll hear on “A.A.T.” and (more specifically) “Again”, this second phase, Dark, is exploring much heavier sounds.

After wrapping a massive US tour, SG will be heading to Europe for a string of dates starting in late November including Bristol and Manchester shows before closing out the tour with a special headline show at London Printworks on December 7th. Dates below Euro fam!

SG LEWIS ON TOUR

Nov 24 2018 - Waagenbau - Hamburg, Germany
Nov 25 2018 - Lille Vega - Copenhagen, Denmark
Nov 26 2018 - Badehaus Szimpla - Berlin, Germany
Nov 28 2018 - Yuca - Cologne, Germany
Dec 03 2018 - Thekla - Bristol, United Kingdom
Dec 04 2018 - Club Academy - Manchester, United Kingdom
Dec 05 2018 - Green Room at The Academy - Dublin, Ireland
Dec 07 2018 - The Printworks - London, United Kingdom

[Listen] Totally Enormous Extinct Dinosaurs Remixes Disclosure's "F For You"

UK producer duo Disclosure's bouncy track "F For You" gets a hefty overhaul, as fellow Brit Totally Enormous Extinct Dinosaurs implants it with darker tones and otherworldly atmosphere. The result is six minutes of synthesized grandeur, where moments of echoing emptiness are coupled with futuristic flourishes. Press play to escape into this excellent remix.

Disclosure's debut album Settle, featuring "F For You," is out now.

[Sasquatch! 2013] Recap: Day Two

As the weekend of Sasquatch! festivities continued, the weather got better and so did the overall mood. The sun beamed down and the festival goers were waking up eager to party. The smell of bacon was met with the crack of beer cans opening, and campers were quick to set up ladder golf or throw a frisbee around. Day two was already off to a fantastic start and the nighttime was even better. The xx, Bloc Party, Holy Ghost!, Porcelain Raft, Totally Enormous Extinct Dinosaurs, a hilarious stand up set by Nick Offerman and more, Saturday really impressed with some of the best performances of the festival. Check out the recap of day two below (and read our recap of day one here).

Photo by Christopher Nelson.

Much of Saturday was spent hanging out in the campgrounds, meeting our neighbours, drinking beer and enjoying the sun, putting us all in a good mood. Spirits were high as well as being consumed, and around two in the afternoon my girlfriend Katherine and I headed off to the festival grounds. Over the next couple of hours, we spent some time in the backstage and media areas doing interviews (these will be appearing on the blog over the next five days) with some fantastic musicians. Everyone we met was so interesting and fun to chat with and that's the feeling I got throughout the whole festival. There was always someone new to meet.

At around 6 o'clock, we made our way to the El Chubacabra tent to see Nick Offerman. For those unfamiliar, get familiar. Offerman is best known for playing Ron Swanson on Parks and Recreation as well as being married to Megan Mullaly of Will & Grace fame. The guy is hilarious, with a very straightforward, dry Nick Offerman. Photo by Matthew Lamb.delivery, and it all works into his American everyman style. He strutted out without a shirt on, calmly stating, "You were warned that minor nudity was included." Putting on an American flag button-up, he offered attendees his "10 tips for prosperity." He encouraged the consumption of plentiful meat and bread, to practice romantic love and to do it often, as well as the safe use of drugs and intoxicants. He also dished out a few songs on his guitar, and at the end even brought his wife and actress Stephanie Hunt on stage. They did a mashup of Dusty Springfield's "Son of a Preacher Man" and Cypress Hill's "Hits from a Bong" that was simply awesome. You can check out the mashup here, but be warned the sound quality isn't the best.

Next up was Holy Ghost!, who performed at the Honda Bigfoot stage right after Offerman's set. It was good timing and I was really excited to see these guys live again. Rest assured, they did not disappoint. The sun was still bright when Alex Frankel and Nick Millhiser tore up their hour-long set. With a full touring band supporting them, they sounded great. Kicking it off with their new single "Dumb Disco Ideas," the New York duo then dished out loud, dancey renditions of "Hold On," "Wait & See," "Do It Again," "Hold My Breath" and pretty much their whole debut album. I didn't stop dancing that whole hour.

Still on a bit of an energy high from Holy Ghost!, we caught the second half of Bloc Party's set at the main stage. While we showed up late, what we did see was fantastic. I caught them last year at Outside Lands Bloc Party. Photo by Christopher Nelson.Festival in San Francisco, and they sounded as good if not better this time around. Sitting comfortably up on the hill, their set sounded so tight and it was a treat hearing songs from all four of their albums. While most of the set was material from Four, hearing old highlights like "Helicopter" was great. They even debuted a new song titled "Ratchet." Crowds were high-energy for this one.

With a bit of free time on our hands, we caught a short bit of Porcelain Raft at the Yeti stage. I had never seen Mauro Remiddi live but I really enjoyed his debut album Strange Weekend, so I was excited to find out what he sounded like in person. After hearing both "Drifting In And Out" and "Put Me To Sleep" I was very impressed. Remiddi's dreamy tunes sound great live, floating effortlessly through your eardrums. After what I heard, I was sad to leave, but The xx was waiting right around the corner.

Heading back to the Sasquatch stage, we prepared for The xx. Tucking into the left side of the stage, we made our way into the crowd and up to the front left. With a great, up-close view, we parked ourselves inRomy and Oliver of The xx. Photo by Christopher Nelson. place. As the band walked on stage the sun was giving us it's final minutes of light, giving way to the band's dark attire and stunning light show. All I can say is these three blew me away. Romy Madley Croft, Oliver Sim and Jamie xx know how to build and atmosphere and completely own a crowd. Their stage presence is minimal and quietly charming, and for good reason. They let their instruments and sounds do the talking, using heavy bass kicks, explosive claps, rolling basslines and dazzling light arrangements to put you in a trance. It was so mesmerizing to see and hear "Reunion" live, being carefully strung along by the slowly-encompassing atmosphere. "VCR" was met with roaring applause, and then complete silence as the crowd gave way to the music. As was "Islands." As was "Swept Away." "Angels." "Crystalised." Seriously, it was like that with every song. I had no expectations going into it, but I left that stage in awe.

Walking away from the main stage, my mind was lost, still in a daze. We wandered to the El Chupacabra for a change of scenery. It was a drastic shift going from the minimalist beauty of The xx to the pulse-pounding electronic beats of Totally Enormous Extinct Dinosaurs. That didn't matter. My excitement for TEED quickly took over. Easily securing a spot against the front barrier, our eardrums were met with a barrage of pulsating bass and synthesized sounds. Surrounded by flashing lights, he kept the crowd moving for an hour straight, never letting go. TEED assaulted the senses with a well-paced set, and fans responded with high-energy dancing. He threw down tracks both old and (mostly) new, including "Your Love," "American Dream Pt. II," "Garden," "Stronger" and more. This was my first taste of electronic music at the festival, and it was so good.

Following TEED's set I had a ton of energy, so my friends and I bounced around to different stages for a while. First, we headed to the main stage, reaching the crest of the hill overlooking the tail end of Sigur Rós' set. The view was beautiful. A clear black sky speckled by stars dominated while the band doled out their final songs. It was a brief visit to the main stage—only 10 minutes—but it was a mellowing follow-up to TEED. My attention was occupied by something else, though, as Sigur Rós' quieter presence lost out to Tame Impala's raucous sounds at the nearby Yeti stage. We brashly decided that the party should continue and headed in that direction.

Tame Impala were supposed to perform at the Honda Bigfoot stage at 10pm, but due to their gear arriving late they were moved to an 11:15 set at the much smaller Yeti stage. That didn't matter, though. By the time we arrived at Yeti, the crowd was massive. Thousands of dedicated fans amassed around the stage, and the band responded with a fuckin' rowdy set. They brought songs from both Innerspeaker and Lonerism and Empire of the Sun. Photo by Matthew Lamb.unleashed them in loud, blistering fashion upon us, enveloping vocalist Kevin Parker's fragile vocals in warm, psychedelic sounds. It was incredible to hear "Elephant" roar to life, causing the excitement level to explode, and to lose yourself in "Feels Like We Only Go Backwards" as it drifts along in a dream-like manner. The highlight was easily the end of their set, as "Solitude Is Bliss" so very loudly echoed from the stage, leaving everyone with the words "You will never come close to how I feel" etched into their minds.

Still feeling the reverberation of Tame Impala course through my body, we set our sights on the final show of the night: Empire of the Sun. Gladly choosing this band over Laidback Luke's set at El Chupacabra, I prepared for the bright, colorful extravagance of Luke Steele and Nick Littlemore. That's exactly what we got. Booming explosions of light and smoke introduced the band, donned in absurd outfits and accompanied by bizarre dancers. Apparently, they needed over an hour to prepare the stage and costuming for the show, and it certainly showed. This is pure showmanship, with stage-wide visual wonderment. The music was fantastic too. It was great to finally hear "Standing on the Shore," "We Are The People," "Half Mast" and "Walking on a Dream" live, but it was the new material that really stood out. "Alive" was anthemic and the whole crowd was chanting along energetically, while brand new songs from their upcoming album Ice on the Dune really showcased a catchy '80s dance vibe. I did get the sense that their was a lot lip-syncing going on, but I admit I didn't care because it was so bright and theatrical and fun. Fuck... is that a bad thing? It was just so good!

Day two really showcased all of what Sasquatch! has to offer: amazing music diversity, stunning vistas and weather as well as tons of memorable experiences. It was a day full of continuous high notes, amazing performances and ridiculous fun, and the story continues tomorrow with a recap of day three.

By Adrian McCavour.

[Watch] Banks Gets Sensual in Her Video for "Warm Water"

We've introduced you to Los Angeles singer Banks before, and her most recent song "Warm Water" is a sensual, smooth love letter wrapped in velvet production from Totally Enormous Extinct Dinosaurs. That sensuality seeps effortlessly into its new visuals. The black and white clip is simple in its focus, placing Banks in the warm embrace of her lover alongside watery imagery. Check out the Dylan Knight-directed video below.

[Listen] Banks - "Warm Water" (Prod. by Totally Enourmous Extinct Dinosaurs)

Budding Los Angeles songstress Banks absolutely wowed me with her songs "Fall Over" and "Before I Ever Met You," and now she's back with something even better. "Warm Water" melts perfectly into the romantic nights of the summer season, floating sensually across three-and-a-half minutes of production from Totally Enormous Extinct Dinosaurs. Banks' soulful vocals are beautiful as always, voicing such longing and desire. I can't wait to hear more from her.

The "Warm Water" single is out on May 27th via Good Years.

(via Gorilla vs. Bear)

[News] Parklife Weekender announces initial line-up

After weeks of torment and announcing just one act a day via numerous sources, Parklife Weekender has been given a full initial line-up announcement and it's shaping up to be a fun start to summer in Manchester. Presented by the same awesome people that bring us the Warehouse Project, the festival takes part over the weekend of June 8th-9th. Previously announced acts included Julio Bashmore, Everything Everything, The Maccabees, Four Tet and Hudson Mohawke. 

Names added today include Example, Plan B, Rita Ora, Mark Ronson, A Trak, The Horrors, Jessie Ware, Jamie Jones, Disclosure, Rudimental, TEED, Danny Brown, Action Bronson, Savages, King Krule, Toro Y Moi and a crap load of others, with loads more still to be announced it's looking like it will live up to the previous years'. For the full line-up so far head over to the official website to grab some tickets. You know you want to. We're still awaiting word on the new venue/location for the event but we're told it'll all be revealed a week today (February 21st).

[SKOA Presents] Top Artists of 2012 So Far... Part 2

Tomorrow BBC 6 Music and The Hype Machine will join forces to announce their top 25 artists of the year so far in the 2012 Music Blog Zeitgeist. 6Music has reached out to  number of blogs and asked them to cast their opinions in the build up and we were happy to oblige, after all this year is half way done already. Crazy, huh! Yesterday we dropped some honorable mentions and today we'll present our top three artists prior to the full show tomorrow. We'd love you guys to get involved too so to be part of it all head on over to the official 6Music show Facebook page and hit us up on Twitter @SKoABlog not forgetting to use the hashtag #Blog6Music. Make the jump to see our top three. You might be surprised. Then again, you might not!

3. Teen Daze

Here at SKOA we like to champion artists we really love. Heck, that's why you start out writing about music to cast your opinion and hopefully turn some other people onto an artist you truly admire. Sometimes we don't all feel the same way here in the SKOA family but this artist was one that we all had a mutual appreciation for. Vancouver native Jamison's musical project goes by the moniker Teen Daze and back at the start of the year we featured the young talent in what would be our first in the series of monthly SKOA Mixtapes. We simply couldn't get enough. Lucky for us at the start of June he released the LP, All Of Us, Together and we've had it on heavy repeat ever since. The album is the result of years of experimentation and is a great step towards whatever the future holds. We look forward to that future very much indeed and for that reason we've stuck Teen Daze in our top 3 for the year so far. Check out the video for "Treton" below.

2. Totally Enormous Extinct Dinosaurs

Every artist would like to say they have a USP but many miss the mark. 26 year old Orlando Higginbottom not only has a pretty awesome name for his musical outlet, Totally Enormous Extinct Dinosaurs, but he has the goods and this year has been offering up some of the best uk electronic dance music around. TEED was part of Damon Albarn's DRC Music project earlier in the year and we've long awaited a full length release from the talent. He's stated that in making a to make a record that "felt free from the frequent short-lived trends in dance music" and the result came out earlier this month in the shape of Trouble. Did he succeed? Time will tell, but as a package right here and right now, the record plays like a project that's been in the making for years and ha been carefully put together. Each piece of synth carefully placed to complement one another. The project also sees TEED tell a story of heartfelt loss and the woes of life yet the way it's delivered makes you want to go dance away your troubles. For that we are placing TEED at number two for shaping our listening, and our dance moves this year. Thanks, Orlando.

1. El-P

Well, well, well, look what we have here. A drum roll isn't necessary for this artist but got-damn has this man shaped our year's listening. Back in 2010, El-P announced that Def Jux would be put on hiatus and that he'd be stepping down as artistic director to focus on producing and being a full time artist. This year, we've seen this move result in El-P becoming our front-runner for artist of the year. In our honourable mentioned yesterday we slipped in Killer Mike, who's R.A.P. Music is up there in the front running for the best rap album of the year. Seriously, it's that good. That album was the joint effort of Mike and the man we are onto now, El-P. The clean cut production and big beats that pushed and pulled with Mike's word play made for one of the best packaged album this year. That was until last month when EL-P unleashed his first solo record since 2007's I'll Sleep When You're Dead. A re-invention that sees the Brooklyn native come at us all guns blazing and ready to take on the world and take on the world he is.

We saw him run through a rip-roaring rendition of "Stay Down" on Letterman last month and now that the LP has had some time to soak in its production, delivery and just crazy slick futuristic sound will keep us going back for more month after month. The usual suspects don't make guest spots on the release and instead we see Killer Mike, Danny Brown and Mr. Muthafukin' eXquire drop fierce bars. Comical lines from Brown on "Oh Hail No" will stick with you while Mike delivers an angry few in "Tougher Colder Killer". 

Tracks like "Drones Over BKLYN" which we actually first heard last year as part of Adult Swim Singles Series feel as fresh as they did back then. New single "The Full Retard" delivers changes of pace and a bassline paired up with laser noises to have your senses tingling like Spiderman. El-P is having a year to conquer all and we for one at SKOA wish it to continue. Check out the video for the aforementioned single below and doff your cap to our top artist of 2012 so far. We will certainly continue to pump this shit like they do in the future.