Posts in upcoming releases
photo credit: Iván Darío

photo credit: Iván Darío

LA queer pop duo TWINKIDS have returned with a brand new song, “Eighteen”, taken from their forthcoming EP Lizard House, which is slated for a November 22nd release. The scintillating slice of 80s era synth pop follows last year’s pair of poptastic singles, “I’m Sorry” and “Jigoku Tengoku”. As we’ve come to know and love about the dancy duo, the delivery of the group’s candid lyrics by vocalist Gene Fukui offers such a remarkably unique layer of tenderness to their sound and “Eighteen” is no exception to this. A retrospective song about young romance, the mid-tempo production is full of shimmering synths, offering a perfect setup to balance the slight twinge we often feel while reflecting on the past. As Gene explains, “The song is about looking back at your past self and realizing how much you’ve changed and how much other people have changed. I guess that’s terrifying in a way, like nothing really stays the same. Even something you once felt like you were going to devote your entire life to feels really distant, but it still left a hole in your heart."

Upcoming TWINKIDS tour dates:

OCT 18 - Los Angeles, CA @ Gold Diggers

[SONG OF THE DAY] Mayer Hawthorne - "The Game"
photo credit: Yana Yatsuk

photo credit: Yana Yatsuk

Cali-based crooner cutie Mayer Hawthorne is really on a creative spree at the moment and I am ALL FOR IT.

He’s been making the rounds in recent months with new bops from Tuxedo, his project with producer extraordinaire Jake One, but Hawthorne has decided to release some solo music as well. I can’t believe it’s been a little over 3 years since he dropped Man About Town. Time certainly flies! At any rate, his first offering in too many moons, “The Game”, is a slow jam that feels a lot like a more mature version of his Strange Arrangement days. As he’s spent time exploring the depths of his solo sound, it’s simply showcased his vocal prowess all the more. He’s really one of those dudes who can literally sing the phonebook. I’d be like, “ok and how much did you say it was gonna be to have him sing 3 pages of people with K last names? $500? cool I’ll Venmo you now”.

The song is the first of what is supposedly more to come. It’s wild that we’ll likely be getting Tuxedo and solo Hawthorne stuff simultaneously. What a time to be alive! The next Tuxedo album, titled Tuxedo III, will be dropping on July 19th just in time for their upcoming 21-day North American tour. Dude certainly likes to keep himself busy!

[SONG OF THE DAY] !!! - "Serbia Drums"
photo credit: Kelsey Bennet

photo credit: Kelsey Bennet


it’s DEF a VIBE O CLOCK ON FRIDAYYYYYYY vibe with this one

New York’s finest dance-punk darlings !!! (chk chk chk for you n00bz) have returned as promised earlier in the month with more new music in the form of their new single, “Serbia Drums”, off of their forthcoming album Wallop, which out on August 30th.

Fun factoid for you: the beat of “Serbia Drums” was taken from an iPhone recording that drummer Chris Egan took while the band was touring in Serbia and then the band worked their magic on making it the combination of glimmer and grit that’s essentially my sweet spot for dance jams. Also very heady lyrics going here. Guess you could say they really pack a WALLOP.

…sorry I had to 😑😂

ANYWAY. It’s amazing that this band has been cracking out jams for coming on 20 years now. Since I was outside of NYC then I didn’t come onto the scene with them until 2003 with Me And Guiliani Down By The School Yard. That double single definitely had a big impact on me, thus me waving my invisible pom-poms for these fine folks ever since.

August 30 (or publicist with the advance) come soon! 🙏🏻🙏🏻🙏🏻


Release Date: August 30,2019

01 “Let It Change U”
02 “Couldn’t Have Known”
03 “Off The Grid”
04 “In the Grid”
05 “Serbia Drums”
06 “My Fault”
07 “Slow Motion”
08 “Slo Mo”
09 “$50 Million”
10 “Domino”
11 “Rhythm Of The Gravity”
12 “UR Paranoid”
13 “This Is The Door”
14 “This Is The Dub”

[SONG OF THE DAY] Bronze Whale - "Slowing Down"
Bronze Whale 2019

Austin duo Bronze Whale have returned after dropping their debut LP, The Shape Of Things with a brand new track, “Slowing Down”. The duo teamed up with Joe Pincus, known to the rest of the world as Aire Atlantica during a writing trip to Los Angeles. In true Bronze Whale fashion where they just keep churning out feel good vibes, the band are prepping to release a remix EP in July. Speaking of remixes, their sneak peeks from that EP might have passed you by, but as per usual I gotchu fam. Def wanna give these a whirl. Charlie Crown’s rework of “Cruising” has this fun new energy that builds quite nicely and Cloudchord’s edit of “Gold Grain” takes the song to a more downtempo/relaxed vibe.

[SONG OF THE DAY] Blood Cultures - "Best For You"

New Jersey’s four-piece anon-act Blood Cultures have returned with their second single from their forthcoming sophomore album Oh Uncertainty! A Universe Despairs, which is slated for a September release. “Best For You” is a hazy hypnotic little number full of glitchy vocal slices sampled throughout. This one’s a definite earworm that has the ability to keep you awake with it ringing through your head even though you only played in a couple of times, and of course I mean that in the best possible way.

The band has very strong convictions about remaining anonymous, which they have detailed in a recent manifesto that they’ve shared (and I’ve included below as well). On the one hand, I totally get their intentions here, but as much as it’s nice to just get really invested in a piece of art, there is a communal aspect of it too when it comes to connecting to the artists who made the thing you like.

Perhaps this is something I should hop on the phone and discuss with them soon. 🤔

Our hope is to create genuine, emotive art for individuals to connect with in a unique way. We choose to not publicly reveal any information about the project and ourselves in order to effectively carry out this mission: We believe that disclosing our personalities, politics, alignments, intentions, orientations, etc could detach the listener further from the personal connection that they have made with the music.

We must support and respect the unique truths and individual meanings that the listeners generate themselves from the tracks and the visuals. Art is not what the artist intends it to be, but rather what you make of it. If we are simply the vessels, who are we to take meaning away from something by imposing our own views, biasis, intentions, etc?

We choose to be the blank canvas. We want our listeners to find their own significance in the pieces by looking inwardly and seeking the answers within themselves rather than from us: disclosing the context of the work could shatter the individual’s distinct value of the piece that they have created for themselves. There is only one true meaning, and it is that which the listener has concluded is their truth.

Despite not sharing ourselves in the traditional and physical sense, we instead exclusively share our raw emotional selves by exposing our most personal thoughts, moments, and feelings in the music. Anonymity allows us the freedom to be candid and void of restraint, repercussions and fear. This music is the most personal thing I have ever done, so the relationship we have with our listeners through this channel is an extremely intimate one.

If you feel the music, you understand it, you understand us, and just like that, we are connected. Regardless of our potential differences, we are there together, in the same emotional landscape, through this music. And that is worth preserving.

Though we're seen, we will never be seen: just like you

Though we’re heard, we will never be heard: just like you

Though we're known, we will never be known: just like you


Blood Cultures

[WATCH] Holy Ghost! - "Do This (Official Video)"
photo credit: Harry McNally

photo credit: Harry McNally

In just a few short days the rest of you will be able to hear the dazzling dance delights that is Work from legendary NYC duo Holy Ghost!. As a celebration of the art of making music as memorable as this forthcoming album, the guys have shared the music video for their single, “Do This”, which features clips from the entire creation of the album, from recording in the studio, to pressing the actual vinyl, before finally making it to a record store.

Gonna be honest, I could watch people press vinyl all damn day. Seeing how much care goes into making a record from start to finish is just such a beautiful thing to be able to witness all the way down to the sweet ladies putting the LPs in their jackets. I always wonder if they ever listen to the records that they’re stuffing, don’t you?

As nice as it’s been to obsess over a Soundcloud link for this record in the past month-ish, I honestly can’t wait to drop the needle on this record with my Beyerdynamics. There’s a lot of heart to this record and I’m really anxious to find more reasons to love this record moreso than I already do.

Another cool reason to love this record that hadn’t really sunk in with me until today: the guys are basically trying to singlehandedly resurrect the NYC’s original dance label, West End Records. This is the first LP to come out on the record in more than THREE DECADES y’all. While he was still alive, West End Records founder Mel Cheren was essentially responsible for laying the foundations of what would define early disco, which would then be really influential on pop, hip-hop, house, and techno. Cheren also was responsible for helping to set up NYC's Gay Mens Health Crisis letting GMHC operate rent-free in his Chelsea building, at the dawn of the AIDS crisis as well as establishing charities like 24 Hours for Life and LIFEbeat.

I think it’s so cool that the guys are like painfully aware of the irony in two white heterosexual dance-obsessed guys reviving the label but are still so passionate about using their platform with this album to elevate both the history of the genre and start a dialogue around dance music culture. The origins of dance music weren’t even close to being as white as they are today. It’s important that people pay respect to the genre they love by honoring its origins.


[SONG OF THE DAY] Tycho - "Japan"
photo credit: Scott Hansen

photo credit: Scott Hansen

San Francisco soundscape crafters Tycho have returned with a new track, “Japan”, from their forthcoming album WEATHER, out on July 12th. "I had just returned from spending some time in Hakone, Japan with my wife's Japanese relatives," shares project brainchild Scott Hansen. "I was thinking a lot about the kinds of electronic music instruments I had been using when I first started making music in the late '90s. With 'Japan,' I was trying to recapture a part of that sound and combine it with the imagery and experiences from my trip to Hakone. I sent the song to Hannah with nothing more than the title of 'Japan' and she wrote all of the lyrics." As with the recent string of singles they’ve released from this album cycle, the band has offered a 2-pack, which includes the album version and an accompanying instrumental.

Speaking of said instrumental, I wanna talk about how frustrating it was to watch a large portion of the Tycho fandom essentially have a total fucking meltdown about the addition of angelic vocalist Saint Sinner to the mix. As previously mentioned, Hansen has shared how he’s really excited about incorporating the most “organic instrument” on the planet into the Tycho soundscape. I even admitted it was gonna take me a second to get used to the idea. That all said, as someone who lives to watch bands evolve and challenge themselves to push beyond any self or fan-made boundaries, to say I’m disappointed that some folks can’t see the opportunity the band is giving us to reflect on how truly powerful either type of performance is would be an understatement. Hansen is quick to detail the amount of thought that goes into each version, "I wanted to explore the idea of approaching songs from two entirely different perspectives,” he explains, “Similar to 'Pink & Blue,' the instrumental versions are not just the songs with vocals muted, they are different arrangements with different instrumentation and melodies in place of the vocals."

Even before skimming the press release to do this post, just this morning (almost a full month since the “Pink & Blue” writeup mind you) I found myself lost in thought while listening to both versions of “Japan”. I couldn’t help but reflect on how fascinating it is to watch this band begin to be able to articulate into words certain things that maybe their music hadn’t been able to previously. Maybe prior to now Tycho music was akin to those in religious settings who speak in tongues, not sure the exact or best way to fully express themselves, but deep down the sound does enough to speak for itself.

It’s certainly a concept that is worth taking some time to sit with, if only to deepen your appreciation for the band. I hope that those who were upset come around. Personally it just makes me love this band all the more knowing that they’re the ultra meticulous musicians I’ve grown to appreciate them to be busily fretting over every painstaking detail every step of the way with this release.

PS - have you pre-ordered Weather yet? Do you have your tickets for their extensive af world tour coming up? If not, get on that shit, fam!





21 - Byron Bay, Australia - Splendour In The Grass *

23 - Melbourne, Australia - Forum Melbourne

24 - Sydney, Australia - Sydney Opera House

26 - Niigata Prefecture, Japan - Fuji Rock Festival '19 *


5 - Los Angeles, CA - Greek Theatre **

6 - Berkeley, CA - Greek Theatre #

7 - Portland, OR - Arlene Schnitzer Concert Hall #

8 - Seattle, WA - Paramount Theatre #

11 - Denver, CO - The Mission Ballroom #

13 - Minneapolis, MN - Palace Theatre #

15 - Chicago, IL - Aragon Ballroom #

16 - Toronto, ON - Sony Centre for the Performing Arts #

18 - Boston, MA - Wang Theatre - Boch Center #

19 - New York, NY - Summerstage #

20 - Philadelphia, PA - Franklin Music Hall #

21 - Slippery Rock, PA - Resonance Music & Arts Festival *

23 - Detroit, MI - The Masonic #

24 - Columbus, OH - Express Live #

26 - St Louis, MO - The Pageant #

27 - Kansas City, MO - CrossroadsKC #



9 - Oslo, Norway - Rockefeller #

10 - Stockholm, Sweden - Vasteatern #

11 - Copenhagen, Denmark - Vega Main Hall #

13 - Hamburg, Germany - Uebel & Gefahrlich #

14 - Cologne, Germany - Live Music Hall #

15 - Paris, France - Elyse Montmartre #

17 - Brussels, Belgium - AB Ballroom @ Ancienne Belgique #

18 - Amsterdam, Netherlands - Paradiso #

19 - Berlin, Germany - Huxley's #

21 - Warsaw, Poland - Praga Centrum #

23 - Prague, Czech Republic - Roxy #

24 - Budapest, Hungary - Akvarium #

25 - Vienna, Austria - WUK #

27 - Milan, Italy - Fabrique #

28 - Bologna, Italy - Estragon #


1 - Barcelona, Spain - Sala Apolo #

5 - London, UK - Printworks #

* Festival Performance

** Chrome Sparks

# Poolside

[SONG OF THE DAY] Slum Sociable - "Life Is Free"

Yesterday the beloved Slum fam have graced us with their presence for the first time this year with a new song, “Life Is Free” and the oh so delightful news that they’ll be releasing an EP titled L.I.F. on August 2nd. Speaking on the track, the band shares, "'Life Is Free' was called that because, it isn't. The second line of the song points that out; "how can I say that knowingly". It’s about noticing how valuable a resource like time is, how you use it with the people in your life, how other people who might not have it as good as you use it, and ultimately trying to use it for good."

Tell you what man, so glad these guys took as much time as they needed into investing into themselves and their mental health because they have so many wonderful things on their heart to share with the world.

PS - ICYMI recently the guys stopped by triple j for a Like A Version session where they covered Mark Ronson and The Business International’s popular track “Somebody To Love Me”. Singer Miller Upchurch really owned the shit out the song, I found his performance of an already emotional song to be very moving. Dare I say Boy George and Andrew Wyatt (who originally sang on the track) would be thoroughly impressed and even a little intimidated by it, that’s how much I enjoyed it. So yeah, def go have a look and listen at that.

YAYYYY the boys are back in town! The. Boys. Are. Back. In. Town!!!!!